The lines behind my brow
Fizzed then – and how,
As strong as these same lines do here and now.
Equally global for needling cloth together…
Phat’n’ phunky and grouped into 8’s, 3’s, 24’s or ‘mores’ for the back-ends of electric wire connects…
Wrapped co-axially for unbelievable power communication cross cultures…
Bent in Spring to drive time pieces…
Soldered and Pumping multi-message…
Readying the Suburban Universe of Interactive TV Jockeys…
Putting an equal foot on your stairs for Tribal grit…
Totally Trashing the growth in forest devastation…
Aiding Fusion of the F1ip Resource…
Holding back and holding in …
I place my finger
Like a pin,
On random lines
Not on the web
But running round
Within my head.
Notes: I wrote this in moment between pages not mine. They were pages of features, editorials, advertorials and straightforward promotional garbage printed on a spread of glossy stock – the quality you can only get from killing trees for their virgin pulp. Browsing through Wired, Blueprint and the Architectural Review, I lifted word groups that when isolated from their body gave up their meaning. Putting these sectioned outbursts into a poem didn’t improve them although I had hoped it might.
That morning I’d been cursing Geocities for giving up too early on a good thing and casting thousands of web sites into the long archive. My html labours were ghosting fast and I was too busy to learn java, so I let the tide take every digital sand castle I’d built. This included two sites on the *Wallis Collection of citrus fruit wrapper designs collected from the 1930’s – each design reflecting the identity of their farm and created by artists influenced by both folk art and contemporary imagery.
And also into digital heaven went the first HoBB web site, the membership folio site for B.I.G. (British Image Group), a launch site for the first book by UK performance poet, Poke, ( AKA Paul Stanley), one site of the schools work of IOL (Image of Learning) and the “second evolvement of the World’s Longest Artist’s Book”.
As an update, I have found some pages archived in the cloud so here’s a selection of images – along with a record of stats for The HoBB’s first web site that show three site visits in our first launch month.
*The Wallis Collection is housed at the HoBB and includes the Italian collection of citrus fruit wrapper designs donated by Franco Levorato.
There’s a world of fun geography and a long history in collecting fruit stickers and fruit wrappers.
In 1878 the World’s first plain small orange papers were patented (Ref: The Opium Museum / Dr Dirik)
By the 1920’s, some fruit growers wrapped colourful graphic messages around their fruit as a protective covering to limit the spread of fungus and the risk of bruising during transit. Within a few years, hundreds of people started to collect these decorative tissue paper wrappers because they were free and displayed the work of artisans who regularly blended colourful folk art with contemporary imagery.
Between the 1930’s and 1960’s, producers started to spray wax and fungicides on fruit so removing the need to wrap each fruit individually but increasing the need to wash fruit before eating it.
Whilst over the 1970’s and 1980’s fewer fruit wrappers appeared in shops, some continued to wrap a few fruit per box in tissue to grab attention in the marketplace and identify the growers. This made fruit wrappers much rarer which probably caused more people to collect them.
Bananas however, have carried stickers on them for an age – well you try wrapping graphic-rich tissue paper around a hand (bunch) of bananas! Gradually the use of fruit stickers spread – initially adopted by citrus fruit growers. You can even find stickers on some vegetables.
By 1985, the Victoria and Albert Museum, London, had a growing collection of fruit wrappers and in October of that year published a selection (Book by Gill Sanders. V&A)
The wide use of fruit stickers soared in 1990 with the issue of the first ‘PLU’ numbers and stickers started to appear on all fruit/fruit packaging. Suddenly, children started to collect fruit stickers around the World – a free, easy and education-full hobby around a healthy product. The attention of growers, distributors, retails and point-of-sale promoters all focused on the fruit sticker making it information-rich, easier to collect and often depicting popular cartoon characters on special editions.
Each year a new ‘crop’ of fruit sticker designs is released and a new generation emerges eager to continue a collecting hobby that is free to start and cheap to build – all you need is a love of fruit and a place to stick your stickers.
As we consume greater quantities of fruit (and vegetables) the fruit sticker designers will be kept busy, creating new shapes and graphics. As fruit sales grow so too do the number of fruit sticker collector. However, the future of this low cost hobby is uncertain as growers research ways to tattoo PLU number into fruit skin. The future may be ‘Orange’ but the orange skin may be graphically blemished … by design.
Fruitstickers and wrappers online
One of the earliest online Flickr pages “orangepaper and fruitsticker group”: (international web site) reached 190 members worldwide but hasn’t updated for years.
Little People Books (LPB) first published two selections of fruit wrappers from the 1930’s Wallis Collection, online in 1999 (UK) at http://uk.geocities.com/fruitwrapper/ and (USA) http://www.geocities.com/fruitwrappers in 2000 but geocities.com closed down.
Background publication notes:
Chronicle Books published a selection of fruit wrappers from the collection of Louise Fili (President of U.S. graphic design firm Louise Fili Ltd.) and Steven Heller (senior art director of The New York Times.)
Two catalogues of Banana Stickers have been published. (First Edn. August 1995. Gerri Lorenzo, Tulare, California) and Bananaman exists – he’s a great guy and he has published a book about his Bananaman campaign in Africa.