The lines behind my brow
The lines behind my brow
Fizzed then – and how,
As strong as these same lines do here and now.
Equally global for needling cloth together…
Phat’n’ phunky and grouped into 8’s, 3’s, 24’s or ‘mores’ for the back-ends of electric wire connects…
Wrapped co-axially for unbelievable power communication cross cultures…
Bent in Spring to drive time pieces…
Soldered and Pumping multi-message…
Readying the Suburban Universe of Interactive TV Jockeys…
Putting an equal foot on your stairs for Tribal grit…
Totally Trashing the growth in forest devastation…
Aiding Fusion of the F1ip Resource…
Holding back and holding in …
I place my finger
Like a pin,
On random lines
Not on the web
But running round
Within my head.
(© Grant)
Notes:
I wrote this in moment between pages not mine. They were pages of features, editorials, advertorials and straightforward promotional garbage printed on a spread of glossy stock – the quality you can only get from killing trees for their virgin pulp. Browsing through Wired, Blueprint and the Architectural Review, I lifted word groups that when isolated from their body gave up their meaning. Putting these sectioned outbursts into a poem didn’t improve them although I had hoped it might.
That morning I’d been cursing Geocities for giving up too early on a good thing and casting thousands of web sites into the long archive. My html labours were ghosting fast and I was too busy to learn java, so I let the tide take every digital sand castle I’d built. This included two sites on the *Wallis Collection of citrus fruit wrapper designs collected from the 1930’s – each design reflecting the identity of their farm and created by artists influenced by both folk art and contemporary imagery.


*The Wallis Collection is housed at the HoBB and includes the Italian collection of citrus fruit wrapper designs donated by Franco Levorato.